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X-WR-CALDESC:Events for The Peer Hat
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TZID:UTC
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DTSTART:20220101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20231018T193000
DTEND;TZID=UTC:20231018T233000
DTSTAMP:20230908T114107Z
CREATED:20230908T114107Z
LAST-MODIFIED:20230908T114107Z
UID:6564-1697657400-1697671800@thepeerhat.co.uk
SUMMARY:TUPPENNY BUNTERS WITH JUICE POPS & INDIAN PALE MALE
DESCRIPTION:Once more we welcome back the peerless TUPPENNY BUNTERS…\n\nDave and Fi Dulake became TUPPENNY BUNTERS in 2012\, the same year they got married. Fi had been the Hammond player in Dave’s previous band\, The Virgo Intacta\, who were on The White Stripes “Satan” tour as 1st support. Parallel to running a notorious Southend music pub\, The Railway Hotel\, the duo\, after naming themselves after Regency prostitutes\, set about capturing the sound they perceived\, a piano dripping garage/pop wall of melodies and chord shifts. Their first album was recorded live to a Studer in the cellar of the pub. They released it on their own label\, Dansettual. Called “A Tuppenny Upright”\, the results\, while sketchy\, present them well. At times\, the piano (a Bluthner upright) threatens to cuddle you to death\, at others it appears to be absently flipping you off\, and the drums are tuned high\, dirty and loonar. If they were cleverer\, or could be bothered\, they’d be prog. Cooler\, or if they both dressed like Fi\, they’d be psyche\, and if they didn’t constantly feel the need to burst into song\, for their sheer sonic nerve they’d be garage.\n\nThe Bunters songwriting is all the way down the cracks between Pete Ham\, Syd Barrett and Lionel Bart\, but their live performance sits precariously on a web spun by X Ray Spex\, The White Stripes\, Wings and\, well\, Sparks\, I guess – in that\, you’re never quite sure who to watch. She smashes shit out of the kit with her hair going everywhere\, while he\, 20 years older and desperate to keep up\, pounds the Fender Rhodes and screams his fucking head off\, trying always for a snarling Steve Marriott but coming off more like an enraged Dean Friedman. Then they swap\, and now you’re totally on the back foot\, cos now he’s laying into the kit\, and she’s up…her intense brown eyes staring you down; melodies from an age way before her time and a piercing\, shrieking voice that only ever seems at home above top C. Fingernails scraping down a Marmite smeared blackboard. You won’t go to the bar though\, cos then there are the songs\, which\, possibly against your better judgement\, will tick one of your boxes. They’ll take you on an uncomfortable switchback ride through pop music’s wheat and chaff\, and just when you think you’ve dissed it or nailed it\, when you think “I can hear a bit of 10CC and The Damned in there…” then Billy Childish pops in with Julie Andrews and you still won’t know whether they’re tossers or visionarys. A review for Dave’s “Butterfingers” album in The Face back in 2003 called it “annoying and refreshing in equal parts”\nSKYMOUTH SAYS “We cannot do less than love!”\n\n\nJUICE POPS Perennial Peer Hat Prodigies\, JUICE POPS are back…\nManchester’s own dream surf\, poison sugar trine. Vocal harmonies and killer hooks are their main trade. Evoking a sense of some delicious but untouchable nostalgia\, the band won’t remain off radar for much longer. Grab them hot…SKYMOUTH SAYS “Now even hotter than hot”!\n\n\nINDIAN PALE MALE is former Frazer King genius\, Nathan McIlroy’s latest project. Following a period of self imposed exile\, Nathan has returned–and Manchester is better for it. Now armed with a single piano\, IPM is a unique\, funny\, sometimes tortured\, sometimes jazzy excursion which\, if McIlroy chooses\, will only go on to garner further acclaim. SKYMOUTH SAYS “It’s even better than it was when it was this!”
URL:https://thepeerhat.co.uk/event/tuppenny-bunters-with-juice-pops-indian-pale-male/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/png:https://thepeerhat.co.uk/wp-content/uploads/2023/09/TUPIII.png
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231009T193000
DTEND;TZID=UTC:20231009T233000
DTSTAMP:20230905T133113Z
CREATED:20230816T091440Z
LAST-MODIFIED:20230905T133113Z
UID:6487-1696879800-1696894200@thepeerhat.co.uk
SUMMARY:HARU NEMURI EUROPEAN TOUR 2023
DESCRIPTION:DUE TO PREVIOUS POSTPONEMENT OF GIG\, MORE TICKETS MAY YET COME AVAILABLE (IN CASE OF CANCELLATIONS) WATCH THIS SPACE!\n\n\nHaruna Kimishima\, known by her stage name HARU NEMURI\, is a Japanese singer\, songwriter\, and “poetry rapper”. Her musical style mixes influences from J-pop\, rap\, post-hardcore\, experimental pop\, art rock\, and electronica. She is currently based in Tokyo.\nAnthony Fantano of the The Needle Drop reviewed her debut album “Haru to Shura”\, mentioning that “Haru Nemuri’s debut album pushes J-pop/rap in an exciting direction by channeling Japan’s rich history of underground rock music.”[72]\nHARU NEMURI’s album Shunka Ryougen had been hailed by Pitchfork (“Blending elements of J-pop\, rap\, and hardcore\, the experimental Japanese artist’s latest album presents a convincing balance of nihilism and hope. and also from The Fader\, Spectrum Culture (“Nemuri looked to the balance of life and death and represents their intersection. That’s why the album is as celebratory as it is volcanic)\,Stereogum (“We named genre-exploding Japanese musician Haru Nemuri\, who mixes pop\, rock\, and hip-hop into her own beautifully experimental cocktail\, one of the best new artists of 2018.”)\, and Ones to Watch (“Treasure. We are constantly looking for it and by its very nature it remains elusive….everything about Haru Nemuri is comfortably atypical.”). SPIN stated “Rather than merely recreate her debut\, Haru Nemuri chose deconstruction for her second album. The word appears throughout Shunka Ryougen’s song titles\, and it’s key to how the record reconfigures Nemuri’s blend of art rock\, noise pop\, and hip-hop”\n\n\n\n\nNORRISETTE is a hyperpop / artpop artist who makes music and videos in her tiny flat in Manchester. Her first live gig was at Deaf Institute supporting Sylvette on the 23rd September 2021. Just ten months later\, she performed a solo set on the Nebula Stage at Bluedot Festival under the gaze of the Jodrell Bank radio telescope\, which she accidentally cosplayed as. \nTogether with Industries Norrisette set up FLUFF\, a regular night for queer electronic music producers at Fuel\, Withington. FLUFF has hosted the debut sets of many artists\, has promoted at Sounds from the Other City Festival\, and been mentioned in the Guardian for its role in the underground music scene in Manchester. \nIf you like any of FKA Twigs\, Kate Bush\, James Blake\, Björk\, SOPHIE\, whale song or PVC trousers then stick around. \n‘an electronic noise fest’ – Tom Robinson\, BBC 6 Music.
URL:https://thepeerhat.co.uk/event/haru-nemuri-european-tour-2023-2/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/png:https://thepeerhat.co.uk/wp-content/uploads/2023/08/Haru-main.png
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231004T193000
DTEND;TZID=UTC:20231004T233000
DTSTAMP:20230918T095741Z
CREATED:20230918T095313Z
LAST-MODIFIED:20230918T095741Z
UID:6574-1696447800-1696462200@thepeerhat.co.uk
SUMMARY:HANK TREE//WOSKI//SAYSEAMAKE
DESCRIPTION:HANK TREE is a Glasgow based project led by Fergus MacDonald (ex- State Broadcasters)\, also comprising Roy Shearer (Ultras\, Inspector Tapehead)\, Bart Owl (Eagleowl\, Broken Chanter) and singer-songwriter Faith Eliott. Hank Tree’s debut LP\, The Big North\, was released in 2022\, via Olive Grove Records\, and features songs inspired by the dramatic rise and fall of prosperity of the desert region of El Norte Grande in Chile. The band’s sound is characterised by fast picked classical guitars\, atmospheric ballads\, distortion-heavy instrumentals and hushed vocals\, often incorporating field recordings and featuring lyrics focusing on social history. They have supported artists including King Creosote\, Alasdair Roberts and Gwenifer Raymond\, and have received radio play on BBC 6 Music and BBC Scotland.\nWOSKI are a 4-piece Psychedelic Folk Rock band with a charismatic frontman and all original music and lyrics. Fans of anyone from The Byrds to Pink Floyd will love the Woski sound.\nSAYSEAMAKE Giorgio\, Luca and Giuseppe started playing together back in 2018\, and they quickly found their sound in the intersection of jazz\, ambient\, electronic music\, and alternative rock. Busy beats join textural vocals and synth bass lines.\nWith the introduction of Liam Kelly on the drums\, Sayseamake is ready to take over the North West.
URL:https://thepeerhat.co.uk/event/hank-tree-woski-sayseamake/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/09/a2096705756_65.jpeg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230928T193000
DTEND;TZID=UTC:20230928T233000
DTSTAMP:20230825T110355Z
CREATED:20230825T110355Z
LAST-MODIFIED:20230825T110355Z
UID:6530-1695929400-1695943800@thepeerhat.co.uk
SUMMARY:CLARKE CAMILLERI WITH JINDA BIANT AND BLCK UTAH
DESCRIPTION:CLARKE CAMILLERI is a musician unlike any other\, his love for showing folk music’s important place in the world is infectious and inspiring. He was last with us as a part of the wonderful Angeline Morrison’s ‘Sorrow Songs Band’\, but even then his light and charisma shone brightly. His song writing is is eclectic\, unique and influenced by the many musical worlds he swims in..this time\, he’ll be on his own and ready to deliver something spell binding.\n\n\nJINDA BIANT\nWith most of his early years spent lost in his father’s record collection\, with music from the likes of Elvis Presley to more legendary artists like Lead Belly and Robert Johnson\,\nJinda now finds himself making footsteps on his own path\, like the musicians he loves.\nFrom releasing his Debut album “Restless” in 2019 and then being featured on BBC Radio 1’s Huw Stephen’s Show\, he’s now playing shows worldwide\, promoting his music and collecting stories along the way.\n\nBLCK UTAH is the canvas for Canadian multi-instrumentalist and producer Jamie Muir. Blending Springfield vibes with MGMT; Bleachers & War On Drugs\, BLCK UTAH will be playing an acoustic set in the intimate environment of the Black Stage. The Peer Hat welcomes him!
URL:https://thepeerhat.co.uk/event/clarke-camilleri-with-jinda-biant-and-blck-utah/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/08/367446322_713682034109469_4442803098247205671_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230921T193000
DTEND;TZID=UTC:20231019T233000
DTSTAMP:20230825T113031Z
CREATED:20230825T113031Z
LAST-MODIFIED:20230825T113031Z
UID:6535-1695324600-1697758200@thepeerhat.co.uk
SUMMARY:drøne//Gary Fisher//Slags In Tapestry
DESCRIPTION:drøne is Mark Van Hoen & Mike Harding with the assistance of many.\n“Sublime” [Silence and Sound]\n“What makes this work really shine out is its musical quality… The string work\, exquisitely recorded and sorrowful\, fuses and transitions with the electronic work in a way that really elevates the latter. It’s a truly well-formed musical hybrid that makes the artificial feel natural and vice versa.” [Chain D.L.K.]\n“With segments of monologue and dialogue chopped up and scattered\, sometimes overlapping with one another as well as the musical backing\, which isn’t exactly musical or backing\, so much as a shimmering\, shifting sonic collage\, if not exactly reminiscent of William Burroughs’ audio experiments\, then very much a sonic interpretation of the cut-up technique in its simultaneous representations of multiple events and perspectives. Because every moment is a moment of change and the pieces on the stilling are constructed around a continual shift\, it’s disorientating by design. Scrambling the mutter lines\, it’s the soundtrack to your soundtrack.” [Aural Aggravation]\nGARY FISHER\nGary Fisher is a sound artist and experimental composer whose work explores sound through processes of inquiry and experimentation with objects\, actions\, words\, places\, and technologies. He records\, composes\, performs\, and creates installations with various sound materials and approaches including found objects\, found sounds\, invented instruments\, alternative approaches to traditional instruments\, interacting with spaces and places. Central to the work are the ideas of treating sounds as materials and materials as potential sound-makers\, amplifying textures and surfaces of objects The work often creates dialogues and blurs boundaries between improvised and composed\, analog and digital\, intentional and accidental\, noise and music\, and always leaves room for elements of playfulness and humor.\nSLAGS IN TAPESTRY\nExperimental. New. SKYMOUTH SAYS “I have seen the noise\, I have seen the colour of silence!”
URL:https://thepeerhat.co.uk/event/drone-gary-fisher-slags-in-tapestry/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/08/drone.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230905T193000
DTEND;TZID=UTC:20230905T233000
DTSTAMP:20230824T125642Z
CREATED:20230824T125642Z
LAST-MODIFIED:20230824T125642Z
UID:6522-1693942200-1693956600@thepeerhat.co.uk
SUMMARY:Legion Of Swine & Guests
DESCRIPTION:SKYMOUTH here….we have a charming incident of audio violence to subject you unto\, yes it’s the one and only…\nLEGION OF SWINE (in their own words) “is interested in noise. The potential to brutalise it\, to smash it into pieces and to reconstruct it from a mass of racket. Throw in some hypocrisy via the political and ruling classes\, and stir for several minutes.”
URL:https://thepeerhat.co.uk/event/legion-of-swine-guests/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/08/a3882582833_10.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230902T193000
DTEND;TZID=UTC:20230902T223000
DTSTAMP:20230823T132959Z
CREATED:20230823T132959Z
LAST-MODIFIED:20230823T132959Z
UID:6513-1693683000-1693693800@thepeerhat.co.uk
SUMMARY:Skullduggery @ The Peer Hat
DESCRIPTION:Tickets · £6.50 \nwww.eventbrite.co.uk/e/skullduggery-the-peer-hat-tickets-698468306507
URL:https://thepeerhat.co.uk/event/skullduggery-the-peer-hat/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/08/368025368_694591442683378_2324827746887278582_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230809T193000
DTEND;TZID=UTC:20230809T233000
DTSTAMP:20230728T124739Z
CREATED:20230728T124739Z
LAST-MODIFIED:20230728T124739Z
UID:6444-1691609400-1691623800@thepeerhat.co.uk
SUMMARY:PORNO MASSACRE//GÜTS//ODIOUS RAT//DEAD STILLETOES
DESCRIPTION:Let us allow the delightfully named PRONO MASSACRE (BRAZIL) to introduce themselves…\n“Decadent glamour\, like a middle-aged whore with smeared makeup wearing silver sequined clothes\, and hiding a bloody knife.\nPorno-Massacre is a band from São Paulo\, Brazil composed of five members that mixes Punk\, Crossover and Glam. Influences such as The Cramps\, Ratos de Porão\, Turbonegro and Serge Gainsbourg are present in the sound.The presentations are marked by the theatrical and bizarre performances of the members when trying to vent the torture that consumes everyone. Especially by General Sade\, the perverted master of pulsating anarchy.”\nThat sounds like something does it not? SKY MOUTH SAYS “Perversion!”\nGÜTS raucous Manchester hard garage blues masters\, on the acclaimed Abattoir Blues label\, the band\, who are nothing ever than insultingly raw and exciting\, have agreed to lend their awesome talents towards making this night one to remember. SKYMOUTH SAYS “I can hear them through the walls!”\nODIOUS RAT make stinking punk battle chants. SKYMOUTH SAY: “I have never been so keeeen”\nDEAD STILLETOES make hard\, trashy punk with compellingly nihilistic humour. One to watch! \nSee less
URL:https://thepeerhat.co.uk/event/porno-massacre-guts-odious-rat-dead-stilletoes/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/png:https://thepeerhat.co.uk/wp-content/uploads/2023/07/porn.png
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230803T193000
DTEND;TZID=UTC:20230803T233000
DTSTAMP:20230728T124405Z
CREATED:20230728T124405Z
LAST-MODIFIED:20230728T124405Z
UID:6440-1691091000-1691105400@thepeerhat.co.uk
SUMMARY:Hermetic Delight with The Beautiful Sinners & GRUND
DESCRIPTION:HERMETIC DELIGHT\nlo-fi pop – France\n——\n Austra\, Goldfrapp\, Chromatics\, Glass Candy\, Sally Shapiro..\n——\n“In existence for just over a decade\, Hermetic Delight have already been through a variety of guises\, the Strasbourg-based band moving from their post-punk origins into a sound enriched with both pop and avant-garde influences.”\n https://youtu.be/Ko5jpuNfdt4\n https://fortherabbits.net/…/premiere-hermetic…/…\n https://hermeticdelight.bandcamp.com/track/tied-up\nTHE BEAUTIFUL SINNERS are a five piece musical outlet delivering sounds that fuse familiar genres leaning towards underground RnB\, Hip-Hop & Indie. Through heartfelt messaging and uplifting tones\, their alternative approach creates a unique pocket of soulful and conscious sounds.\nGRUND is the psychedelic province of weird genius\, Tom Grund. Sits somewhere between Skip Spence and Nick Nicely. Unmissable.
URL:https://thepeerhat.co.uk/event/hermetic-delight-with-the-beautiful-sinners-grund/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/07/Hermetic-Delight.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230731T193000
DTEND;TZID=UTC:20230731T233000
DTSTAMP:20230524T142545Z
CREATED:20230524T142545Z
LAST-MODIFIED:20230524T142545Z
UID:6287-1690831800-1690846200@thepeerhat.co.uk
SUMMARY:The All Night Chemist & Guests
DESCRIPTION:The All Night Chemist are the newest wannabe dad-rock folk band on the London scene. Just a bit too earnest to be truly tongue and cheek\, their songs celebrate and mock the mundane while stirring the soul. Anything from cheesy pop bangers about mobile phones\, to moody trad folk exploring the modern-day fur industry\, their music has storytelling at its heart. \nTaking inspiration from the likes of Neil Young\, Flaming Lips and They Might Be Giants\, expect a 70s inspired alt-country romp. \n‘Daft and Irresistible’ – Tom Robinson\, BBC 6 Music
URL:https://thepeerhat.co.uk/event/the-all-night-chemist-guests/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/05/The-All-Night-Chemist-scaled.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230727T190000
DTEND;TZID=UTC:20230727T233000
DTSTAMP:20230713T110755Z
CREATED:20230713T110755Z
LAST-MODIFIED:20230713T110755Z
UID:6421-1690484400-1690500600@thepeerhat.co.uk
SUMMARY:Vegan Vampires From Zorg @ The Peer Hat
DESCRIPTION:  \nVEGAN VAMPIRES FROM ZORG\nTHE MOVIE\nSee what happens when the camera tracks a bunch of wanna be actors to Hollyweird to make a Bee Movie that goes disastrously wrong!\nEverything crumbles as these Vivacious Vinyl Junkie Punky Geeks unwittingly get entangled in aeroplane fights\, dark web porn\, axe killings\, satanic rituals and a whole lot more…A horror film within a horror film is born…\nFeaturing contributions from John Otway\, Fuzzbox\, Johnny Kaplan and Daryl Hannah\, Melanie Williams and Peter Hook and many more.\n  \nPunk Producer Mike Bennett Makes Musical Slasher Vegan Vampire film in California!
URL:https://thepeerhat.co.uk/event/vegan-vampires-from-zorg-the-peer-hat/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/07/Poster-cinema-v1-web.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230718T193000
DTEND;TZID=UTC:20230718T233000
DTSTAMP:20230713T102837Z
CREATED:20230713T102837Z
LAST-MODIFIED:20230713T102837Z
UID:6417-1689708600-1689723000@thepeerhat.co.uk
SUMMARY:Paracetamol//Stuart Pearce//Worried
DESCRIPTION:This PARACETAMOL is not the kidney straining pain killer available from most newsagents. No\, THIS Paracetamøl is a powerful noise punk project from Arnhem\, who set out to convince and overwhelm via undeniable raw power. With winks to bands like METZ and Oh Sees\, and respect paid to the originals like Jay Reatard\, Richard Hell and The Clash\, these four talented musicians aim to get you to the edge of your seat and beyond (be that the floor or elsewhere). Playfully vicious and sincerely contagious\, what you see is what you get\, nothing more\, nothing less.\nSTUART PEARCE might be thought of as the midlands premier beat combo. Making every effort to wring dialectical materialism for nuggets of actual punk joy\, Stuart Pearce are as tough as their namesake\, but with far more flair.\nWORRIED a howl from the depths. Heavy alt rock with a musical core.
URL:https://thepeerhat.co.uk/event/paracetamol-stuart-pearce-worried/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/png:https://thepeerhat.co.uk/wp-content/uploads/2023/07/paracetamol.png
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230626T193000
DTEND;TZID=UTC:20230626T233000
DTSTAMP:20230517T160525Z
CREATED:20230504T123243Z
LAST-MODIFIED:20230517T160525Z
UID:6155-1687807800-1687822200@thepeerhat.co.uk
SUMMARY:LUNATRAKTORS & GUESTS
DESCRIPTION: Jim Hickson\, Live Review\, May 2022 ​  \n​ \n‘Traditional British music filtered through layers of avant-garde theatricality to create something both intricate and dramatic. Off-kilter rhythms\, weird dissonances and voices so rich they could fill a stadium: Lunatraktors would be folk as high art\, except they don’t take themselves too seriously. Instead\, their music is majestic\, madcap and totally unique.’ \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n Liz Aggiss\, December 2021 ​  \n​ \n‘Lunatraktors smash their unique genre of broken folk\, to a pulp. Listen well and watch carefully with all senses alert. This is no lie back passive experience\, but an active contract to engage in a compelling stage presence.’ \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n Jo Kay\, October 2021 ​ \n​ \n ‘There have been many uplifting\, exciting & joyful moments so far at this year’s Manchester Folk Fest\, but my discovery tonight of the inspired Lunatraktors feels like A Moment. Yes\, in title case. Original\, wildly talented and utterly utterly charming.’  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n Françios Gorin\, Telerama\, July 2021  \n​ \n ‘Affreusement beau\, terriblement régénérant\, drôlement triste.’ [Awfully beautiful\, terribly refreshing\, absurdly sad.]  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n Harry Harris (Interview)\, M Magazine\, June 2021  \n​ \n ‘Folk music is conceptual art\, and not only do Lunatraktors understand that\, but they run with it. It is music and storytelling that invites us to consider everything that has come before\, and everything still to come.’  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n Robin Denselow\, Songlines\, June 2021  \n ★★★★ – ‘An intriguing duo… a sparse\, bravely original style.’  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n Nick Barber\, Spiral Earth\, June 2021  \n ★★★★ – ‘Resistance and opposition is core to the release but it’s not delivered drily – there’s dark humour… irony and character in the vocal delivery that underscores the message.’  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n Will Dum\, Muzzart\, June 2021  \n​ \n ‘The missing star est en tous points abouti\, imprévu et singulier. On s’incline devant sa performance\, on loue son esprit délibérément défricheur.’ [The Missing Star is in every way an achievement\, unforeseen and unique. We bow to its performance\, we praise its deliberately pioneering spirit.]  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n Fiona Haic\, Get in Her Ears\, June 2021  \n​ \n ‘The Missing Star is an intriguing and innovative album. In its clever reworking of old and new\, what endures still resonates – love\, betrayal\, loss\, corruption. Stories of our common humanity beyond borders and time are told with a beautifully stirring musicality and striking emotion.’  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n Billy Rough\, Folk Radio UK\, April 2021  \n​ \n ‘A powerful comment on the politics of our day\, it deserves a wider listen\, and I for one\, would love to see this performed live. A timely recording. We need this.’ 
URL:https://thepeerhat.co.uk/event/lunatraktors-guests/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/05/Lunatraktors_Image-Credit_Emma-Falconer.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230621T193000
DTEND;TZID=UTC:20230621T233000
DTSTAMP:20230418T120850Z
CREATED:20230418T120441Z
LAST-MODIFIED:20230418T120850Z
UID:6047-1687375800-1687390200@thepeerhat.co.uk
SUMMARY:Beautify Junkyards & Guests
DESCRIPTION:What a pleasure it is\, to welcome BEAUTIFY JUNKYARDS to The Peer Hat. Here’s a little about their last album\, which ought to illuminate this splendid band for you:\n“The fourth album for the Lisbon based band and their second on Ghost Box following on from The Invisible World of Beautify Junkyards in 2018. Cosmorama is a beautifully crafted and lavishly produced adventure into tropicalia tinged psychedelic dream pop. A hallucinogenic fusion of Os Mutantes and Broadcast. The eleven songs here are instantly rewarding and transportive\, but the rich production rewards the listener with new detail on every repeated play. Its music that’s knowingly informed by Portuguese and Brazilian vocal traditions\, with gauzy layers of male and female voices moving beguilingly amongst each other\, shifting\, dreamlike\, between languages. This is set against an electroacoustic backdrop of complex percussion\, masterly acoustic musicianship and a matrix of haunted electronics that makes this album perfectly at home in the world of Ghost Box records.\nThe Band: Beautify Junkyards are a very talented group of multi-instrumentalists headed up by João Branco Kyron on vocals and keyboards\, Helena Espvall (formerly of Espers) on cello\, flute and electric guitar\, João Moreira on acoustic guitar and keyboards\, Sergue Ra on bass and Antonio Watts on drums and percussion. Newest member\, Martinez was recruited just in time to contribute vocals on Garden by the Sea. Joining the band as writing and performing collaborators on Cosmorama are: Nina Miranda (of Smoke City fame) on vocals on the title track and on Reverie and Parangolé\, Alison Bryce of NYC’s Lake Ruth on vocals on Deep Green and classical & contemporary harpist Eduardo Raon on A Garden by the Sea and The Fountain.”\n\nMonorail Music\n\n\n\n\nCHRYSALID HOMO; noun: (pronunciation Kris-sah-lid Hoh-Moh): The futurist sounds of a post-apocalyptic wasteland.\nIn 2019\, three brothers emerged from the ashes of Salfordian Prog-Punk outfit\, Trojan Horse. Heavily laden with synths\, harmonies and crooning\, these heralds of a dark and dangerous future are here to shock and awe. Not afraid of drawing influences from those that have come before\, this merry band of mad-max musicians can name those early pioneers of electronic music; Kraftwerk\, The Human League\, John Foxx (to name only 3)\, as shaping their own unique sound. Fear not\, they aren’t flogging horses here (alive or dead)\, they’re pushing the boundaries of electronic music to carefully curate a sound that is unique\, interesting and\, dare we say\, pop.\nThe sounds emerging from their secret studio in sunny Eccles\, are steeped in satire and the rich history that comes with living in the cradle of the industrial revolutio
URL:https://thepeerhat.co.uk/event/beautify-junkyards-guests/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/04/23040.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230615T193000
DTEND;TZID=UTC:20230615T233000
DTSTAMP:20230522T122616Z
CREATED:20230522T122616Z
LAST-MODIFIED:20230522T122616Z
UID:6268-1686857400-1686871800@thepeerhat.co.uk
SUMMARY:RED MAR & DWELLINGS
DESCRIPTION:RED MAR produce an experimental and highly visceral form of rock music. The project was born out of the improvisations between two members in high school\, and has since established into a group of musicians whom together create a precise and expressive form of noise-rock\, while eschewing simple categorisation. Their live shows are confrontational\, and their recorded material enveloping and unpredictable. With an equal measure of ritualistic grooves and repetition set against a ruthless rawness. Since 2019 they have performed in and around East Anglia and London\, supporting the likes of GNOD\, Show Me The Body and more\n\nDWELLINGS a sonic drill with universal trepanation applications.\n“‘FORWARD’…possibly the best way to describe these tracks from the other half of the Gnod bass machine Chris Haslam. These Dwellings numbers are certainly relentlessly pushing forward but listen for the subtle changes that happen in each track and be sucked in by the trance inducing\, almost euphoric drones & overtones” – TOMBED VISIONS
URL:https://thepeerhat.co.uk/event/red-mar-dwellings/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/webp:https://thepeerhat.co.uk/wp-content/uploads/2023/05/IMG_0845.webp
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230607T193000
DTEND;TZID=UTC:20230607T233000
DTSTAMP:20230516T135723Z
CREATED:20230516T135515Z
LAST-MODIFIED:20230516T135723Z
UID:6241-1686166200-1686180600@thepeerhat.co.uk
SUMMARY:Miesha & The Spanks//Infidels//Vice Vera
DESCRIPTION:Where have all the riot grrrls gone? You ask – MIESHA AND THE SPANKS answer. If you’ve got a yearning for flashy yet classic hard rock\, look no further – this Calgary-based duo has the guitar hero-worshiping\, face melting\, whisky belting sound that you’ve been seeking.\nA modern singer/guitarist and beloved fixture on the local scene\, frontwoman Miesha Louie is the integral driving force behind Miesha & The Spanks. A mixed-Secwépemc artist living in Treaty 7 Territory\, she’s devoted her entire career to inventing and playing instrumentally brilliant melodies that unleash her passions and her full-throated vocal tones.\nAs a result\, Miesha & The Spanks have become a tighter and more muscular version of themselves with each new release. Miesha’s solos are as quintessentially rock as they come. Her anarchic\, femme-powered vibes causing audiences to erupt in devil-horn-raising celebration of razor-sharp hooks delivered with fire and flare.\nPercussionist Sean Hamilton (an accomplished singer/songwriter/multi-instrumentalist in his own right) is her psychic counterpart\, intuitively punctuating her soulful choruses with a pounding intensity simultaneously that elevates heart rates and ceiling rafters.\nBursting onto the circuit with a stamp of approval from producer and alt-rock idol Ian Blurton\, Miesha’s coming out party Girls\, Like Wolves\, was the virtual debutante ball from Hell. Interweaving her impressive song writing skills and vocal versatility\, that album & The band’s subsequent releases\, 2016’s Stranger\, and Girls\, Girls\, Girls (2018)\, tap into the synergy generated by Louie and her lone bandmate\, percussionist Sean Hamilton. Their latter album has landed in the number one position on Earshot!’s National Loud charts in Canada\, as well as topping on the Indigenous Music Countdown and winning no less than three Calgary-based music awards.\nThe group’s recent mid-pandemic EP\, Singles (April 2021)\, was quickly snapped up by CBC Radio 3 and SiriusXM’s The Indigiverse\, as well as meriting attention with features on The Rodney Bingenheimer Show\, Strombo Show\, Hockey Night in Canada\, BBC6 Recommends with Steve Lamacq. To name a few. After collaborating in the live tour trenches for five years\, the pair have never been more of their capabilities. They have been welcome additions to numerous festivals and have enjoyed performing at Future Echoes\, Reeperbahn\, Tallinn Music Week\, and an Enki Music/Breakout West showcase in London\, as well as at unique grassroots events like Siksika Nation’s Run As One Festival. Regardless of the venue\, Louie’s stadium-scale vocals and Hamilton’s fast and fresh beats culminate in a stage presence that is as remarkably solid as it is wild and unexpected.\nINFIDELS are from Hull and are cool! That’s right\, I haven’t written the biog yet!\n\nVICE VERA is the solo project of Manchester-based musician Tamsin Middleton. Using loop pedals\, haunting vocal melodies are layered with off-kilter guitars and percussive textures to create an insistent\, joyous and confrontational sonic landscape. Echoes of PJ Harvey and Siouxie Sioux can be heard\, though the songs retain a unique quality that is VICE VERA’S own.’
URL:https://thepeerhat.co.uk/event/miesha-the-spanks-infidels-vice-vera/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/05/MieshaandTheSpanks-Promo3.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230605T193000
DTEND;TZID=UTC:20230605T233000
DTSTAMP:20230604T141431Z
CREATED:20230125T133643Z
LAST-MODIFIED:20230604T141431Z
UID:5624-1685993400-1686007800@thepeerhat.co.uk
SUMMARY:POSTPONED DUE TO ILLNESS INFORMATION FORTHCOMING HARU NEMURI "SHUNKA RYOUGEN" with NORRISETTE
DESCRIPTION:POSTPONED DUE TO ILLNESS INFORMATION FORTHCOMING Haruna Kimishima\, known by her stage name HARU NEMURI\, is a Japanese singer\, songwriter\, and “poetry rapper”. Her musical style mixes influences from J-pop\, rap\, post-hardcore\, experimental pop\, art rock\, and electronica. She is currently based in Tokyo.\nAnthony Fantano of the The Needle Drop reviewed her debut album “Haru to Shura”\, mentioning that “Haru Nemuri’s debut album pushes J-pop/rap in an exciting direction by channeling Japan’s rich history of underground rock music.”[72]\nHARU NEMURI’s album Shunka Ryougen had been hailed by Pitchfork (“Blending elements of J-pop\, rap\, and hardcore\, the experimental Japanese artist’s latest album presents a convincing balance of nihilism and hope. and also from The Fader\, Spectrum Culture (“Nemuri looked to the balance of life and death and represents their intersection. That’s why the album is as celebratory as it is volcanic)\,Stereogum (“We named genre-exploding Japanese musician Haru Nemuri\, who mixes pop\, rock\, and hip-hop into her own beautifully experimental cocktail\, one of the best new artists of 2018.”)\, and Ones to Watch (“Treasure. We are constantly looking for it and by its very nature it remains elusive….everything about Haru Nemuri is comfortably atypical.”). SPIN stated “Rather than merely recreate her debut\, Haru Nemuri chose deconstruction for her second album. The word appears throughout Shunka Ryougen’s song titles\, and it’s key to how the record reconfigures Nemuri’s blend of art rock\, noise pop\, and hip-hop”\n\n\n\n\nNORRISETTE is a hyperpop / artpop artist who makes music and videos in her tiny flat in Manchester. Her first live gig was at Deaf Institute supporting Sylvette on the 23rd September 2021. Just ten months later\, she performed a solo set on the Nebula Stage at Bluedot Festival under the gaze of the Jodrell Bank radio telescope\, which she accidentally cosplayed as. \nTogether with Industries Norrisette set up FLUFF\, a regular night for queer electronic music producers at Fuel\, Withington. FLUFF has hosted the debut sets of many artists\, has promoted at Sounds from the Other City Festival\, and been mentioned in the Guardian for its role in the underground music scene in Manchester. \nIf you like any of FKA Twigs\, Kate Bush\, James Blake\, Björk\, SOPHIE\, whale song or PVC trousers then stick around. \n‘an electronic noise fest’ – Tom Robinson\, BBC 6 Music. \n\n\n\nHARU NEMURI “SHUNKA RYOUGEN” UK and IRELAND TOUR 2023\n2023/5/25 UK Newcastle\, England | Cobalt Studio\n2023/5/27 UK Cardiff\, Wales | Psych and Noise Festival\n2023/5/28 UK Southampton\, England | Heartbreakers\n2023/5/30 UK London\, England | Oslo\n2023/6/1 UK Glasgow\, Scotland | The Hug and Pint\n2023/6/2 UK Edinburgh\, Scotland | The Voodoo Rooms\n2023/6/4 UK Birkenhead\, England | Future Yard\n2023/6/5 UK Manchester\, England | The Peer Hat\n2023/6/7 IRELAND Dublin | The Grand Social
URL:https://thepeerhat.co.uk/event/haru-nemuri-shunka-ryougen-uk-and-ireland-tour-2023-in-manchester/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/png:https://thepeerhat.co.uk/wp-content/uploads/2023/01/haru-cancel.png
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230525T193000
DTEND;TZID=UTC:20230525T233000
DTSTAMP:20230510T141253Z
CREATED:20230510T140950Z
LAST-MODIFIED:20230510T141253Z
UID:6214-1685043000-1685057400@thepeerhat.co.uk
SUMMARY:MONI JITCHELL//M-G DYSFUNCTION//THE HATE
DESCRIPTION:MONI JITCHELL have earned a hellacious reputation on the Glasgow underground for eviscerating sonic assaults and extreme vocal stylings. We expect them to be a welcome addition to the many spectres that have traumatised audiences upon The Black Stage\,\nM-G DYSFUNCTION have previously shared the stage with The Bug and Marie Davidson.\nThey have released two albums via Don’t Drone Alone (Theo Gowans/TAYSTII)\, some EPs directly to Bandcamp\, and tracks on Voice Of Chunk\, the record label of the Leeds music co-operative/autonomous venue Chunk.\nM-G Dysfunction will perform at The Peer Hat in Manchester on 25/05/2023.\nThe set will last for precisely 25 minutes and 47 seconds.\nAs some of the performance will be at high volume and feature abrasive sonics\, you are advised to bring ear protection.\nLet yourself go into the bliss of eternity.\n\nTHE HATE are a Blackpool based punk outfit\, Edd(Antisocial/Concrete Bollocks)\,Gaz(The Awkwards)\,Cam(Hot Pink Sewage)\,Tom(Sights). Some of those names might be familiar. Let’s set them loose!\nSKYMOUTH SAYS: “I’ve done it again!”\n£5
URL:https://thepeerhat.co.uk/event/moni-jitchell-m-g-dysfunction-the-hate/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/05/alfredo2.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230524T193000
DTEND;TZID=UTC:20230524T233000
DTSTAMP:20230315T133015Z
CREATED:20230315T133015Z
LAST-MODIFIED:20230315T133015Z
UID:5948-1684956600-1684971000@thepeerhat.co.uk
SUMMARY:BEN MCELROY//EDWIN WILLIAMSON BAND//RIK WARWICK
DESCRIPTION:In BEN MCELROY’S own words:\n“I am a composer/musician based in Nottingham\, UK but originally from the seaside town of West Kirby on The Wirral. I have been writing and recording music in various forms since my teens – teaching myself the basics of guitar and cassette based recording.\nSadly my shoe box of cassettes from this time dissappeared- I’m sure they’d contain all the cliches of teenage songwriting\, alongside some pretty ‘naive’ guitar playing\, but it would be nice to have a document of these early days! I think part of my drive to make music nowadays is a kind of yearning to recreate these lost gems- even including the odd wonky mix and interesting timings. \nHaving explored many musical styles I gravitated towards the earthy tones of folk music and learnt how to make sounds out of fiddles\, whistles and accordions. This\, coupled with doing a music tech course at Clarendon College in Nottingham\, led to my current musical mish mash of folky sounds fed and processed through my trusty old mac (the cassette recorder chewed up its last tape sometime in the early noughties).\nI have released a number of albums/eps to date\, some on small labels\, some self released. My latest album ‘How I learnt to Disengage From The Pack’ was released in January 22 on The Slow Music movement and received a 4 star review (as well as folk album of the month) in The Guardian. My next album is a collaboration with U.S composer/pianist A Spot On the Hill\, called Everything Was Different Yesterday is out 8th March 2023.”\nEDWIN WILLIAMSON BAND Comparisons to Scott Walker and Nick Cave\, fail to nail down Edwin’s spectral allure. Indeed\, Edwin’s presence behind the cheap set of Manchester’s modern musical scene\, forms part of the story of the city. He builds upon previous performances\, with a full band line up and the presence of the multi talented Astrid Williamson (Electronic\, Dead Can Dance) to further spice the pot. Unmissable.\nRIK WARWICK is a polyphonic guitar maestro. His classical guitar sets are always a joy to behold\, ripe with bewildering and delight inducing complexity.
URL:https://thepeerhat.co.uk/event/ben-mcelroy-edwin-williamson-band-rik-warwick/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/webp:https://thepeerhat.co.uk/wp-content/uploads/2023/03/ben-mcelroy-cover-artwork-1.webp
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230510T193000
DTEND;TZID=UTC:20230510T233000
DTSTAMP:20230329T181509Z
CREATED:20230328T122803Z
LAST-MODIFIED:20230329T181509Z
UID:5984-1683747000-1683761400@thepeerhat.co.uk
SUMMARY:Occult Fracture//Bourbon Hitcher//Heave
DESCRIPTION:Occult Fracture is a dark edged hard rock band. Their music features scathing guitar\, machine-like drums\, propulsive bass and soulful vocals that weave through the riffs\, creating a unique sound and vibe. Their live performances are energetic\, powerful and recall something of Jex Thoth.\n​\nBased out of Charlotte\, NC\, the band formed in 2020 and soon began playing out in local venues. They released their debut EP\, Fatal Unkind\, a few days before Halloween 2021. They released their follow-up EP\, Bones & Bonfires\, in May 2022. The band’s latest EP\, The War Inside\, dropped in November 2022.\n\n\n“This gloriously dark band from Charlotte features an intense vocalist\, Crystal Crosby\, whose energy seeps through stereo speakers like a home invasion. All four of the tracks exhibit a semi old school vibe\, sort of reminding me of the better art punk groups of the 1980s. This is their third EP in two years as a band. Recorded with a deceptively simple mix\, the production is flawless. I look forward to hearing a full-length from them in the future\, as this sampling has me instantly hooked.” – Art Ettinger\, Razorcake\n\nBOURBON HITCHER Loud\, heavy\, Welsh…the band has been garnering praise for their excruciatingly hard sets over the past couple of years.\n\nHEAVE are a heavy punk noise foursome that have an adroit turn of phrase\, coupled to eviscerating guitar licks. As good as chaos gets. Check them out…they’re local.
URL:https://thepeerhat.co.uk/event/occult-fracture-bourbon-hitcher/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/png:https://thepeerhat.co.uk/wp-content/uploads/2023/03/occultf.png
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230509T193000
DTEND;TZID=UTC:20230509T233000
DTSTAMP:20230425T111824Z
CREATED:20230131T162659Z
LAST-MODIFIED:20230425T111824Z
UID:5691-1683660600-1683675000@thepeerhat.co.uk
SUMMARY:Magic Castles & Guests
DESCRIPTION:Magic Castles are an American alternative psych-rock band from Minneapolis\, MN. The group is well-versed in the ways of blissfully floating psychedelically-inclined folk-rock. Gentle harmonies float above twanging guitar and farfisa organ.Their songs have an optimistic and light tone\, but the guitars often jangle and crash with the best of them. There’s a little for psych heads of all tastes\, and a lot to like for anyone who appreciates softer psych intonations with a distinct pop sheen. \nFormation & History \nMagic Castles was created by Jason Edmonds in 2007\, who immediately set to self-releasing three albums in their first two years. After fans uploaded tracks onto YouTube in 2010\, the music caught the attention of Anton Newcombe of The Brian Jonestown Massacre\, who heard the Magic Castles’ song Ballad of the Golden Bird and signed the band to his indie imprint\, “A” Recordings Ltd. In 2012\, Anton’s imprint released a compilation of the first three self-released albums as a self titled 2LP Magic Castles. They also supported BJM on a successful east coast US tour in 2012. Magic Castles toured the west coast and southwest successfully in 2013\, building up a loyal following. In the spring of 2014 The Brian Jonestown Massacre released a Record Store Day split single with Magic Castles\, who contributed two songs on the B side\, adding to the bands mystique. In fall of 2014 they released the album Sky Sounds\, and again toured the west coast & southwest of the US\, playing several festivals. In 2015 the band released their third album on A Records\, Starflower\, toured Europe and UK successfully\, bookended by appearances in front of large audiences at Reverence Valada festival in Portugal and Liverpool International Festival of Psychedelia. In 2016 songwriter Jason Edmonds decided to take a hiatus to attend to his family\, and now\, in 2020 we see Edmonds’ return with the band\, releasing a new album “Sun Reign”\, their fourth on A Recordings. \nPress \n“There are bands who seem to channel their best qualities through the atmosphere\, who make production sound like their blood vessels\, and the Magic Castles are one of those bands. Like Kevin Shields engineering songs rather than writing them\, this band has created a floaty wonderland and then sung into it.” -Norman Records UK staff review \n“With a delightful undercurrent of madness\, the songs seem designed to absorb the listener and take them to some far off distant land\, where for the next thirty minutes one gets to dream without comprehension. And in that aspect\, the course Magic Castles have taken is right on the mark.” -Psychedelic Baby Magazine\n“I would like to encourage anyone planning to go to this concert not to miss the first act [Magic Castles]. I believe in their project enough to release it with my own money as a document. Actions speak louder than words. Music is meant to be heard more than talked about. I love the way some of their songs make me feel.” -Anton Newcombe of BJM\, Uncut Interview \n“Where many of their peers fall back on production tricks or simply borrow too liberally from their influences\, Magic Castles stands out from the pack for its skillful balance of recalling the acid-tinged tones of its forebears while aiming the compass at destinations unknown.” -AllMusic Review by Chrysta Cherrie
URL:https://thepeerhat.co.uk/event/magic-castles-guests/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/01/unnamed.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230503T193000
DTEND;TZID=UTC:20230503T233000
DTSTAMP:20230308T161212Z
CREATED:20230308T161212Z
LAST-MODIFIED:20230308T161212Z
UID:5913-1683142200-1683156600@thepeerhat.co.uk
SUMMARY:CANNONBALL STATMAN//JD MEATYARD//VICE VERA
DESCRIPTION:CANNONBALL STATMAN are an interdimensional rock band from New York City. Their frontperson has been described by LiveTrigger Magazine as “the king of modern anti-folk”\, and the band has often been noted for their unique sound and stage presence\, described by German Shepherd Records as “pure genius”. Their soulful\, articulate songs often tell stories in nonlinear\, surreal ways\, with intricate\, poignant instrumentation\n\nJD MEATYARD came to prominence as front man of post-punk outfit Calvin Party (formerly Levellers 5). A firm favourite of the late John Peel\, who described them as ‘the greatest undiscovered band’\, they recorded eight Peel Sessions\, charted in the all-important Festive 50\, and released a number of well-received albums including ‘Lies\, Lies and Government’ and ‘Sex and Other Life Tragedies’. Recent years have seen Jd continue to release records on Probe Plus. His anti-folk songs winning him airplay on Gideon Coe and admirers such as Half Man Half Biscuit with whom he regularly tours. Of Jd’s latest album\, 2018’s ‘The Batchain Pullers’\, Louder Than War opined ‘If there was still a Peel Festive 50 it would be in the Top Ten this year.’\n\nVICE VERA is the solo project of Manchester-based musician Tamsin Middleton. Using loop pedals\, haunting vocal melodies are layered with off-kilter guitars and percussive textures to create an insistent\, joyous and confrontational sonic landscape. Echoes of PJ Harvey and Siouxie Sioux can be heard\, though the songs retain a unique quality that is VICE VERA’S own.’\n\n£6 ADV £7 OTD
URL:https://thepeerhat.co.uk/event/cannonball-statman-jd-meatyard-vice-vera/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/03/CANCan.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230427T193000
DTEND;TZID=UTC:20230427T233000
DTSTAMP:20230103T215309Z
CREATED:20230103T215309Z
LAST-MODIFIED:20230103T215309Z
UID:5365-1682623800-1682638200@thepeerhat.co.uk
SUMMARY:Angeline Morrison
DESCRIPTION:The Peer Hat is immensely proud\, to welcome Angeline Morrison: singer\, multi-instrumentalist and songwriter who explores traditional song with a deep love\, respect and curiosity. Angeline mostly makes music in the genres of wyrd folk and psych folk\, her work infused with elements of soul music\, literature\, ‘60s beat pop sounds\, folklore\, myth and the supernatural. With a feral approach\, a handmade sonic aesthetic and a belief in the importance of tenderness\, Angeline’s original compositions and re-stitchings of traditional songs focus on storytelling and the small things that often go unnoticed. Sounds like solitude\, memory\, nostalgia\, a rainy walk amongst trees… \n\nAngeline made her television debut on ‘Later…with Jools Holland’ in October 2022\, and there’s a major interview with her in The Guardian. In July 2022\, Angeline was announced as the fourth winner of the prestigious Christian Raphael Prize at Cambridge Folk Festival\, which generously supports the development of emerging talent in the folk genre. \n\nYou can also hear Angeline as part of alt-folk duo We Are Muffy with Nick Duffy (of The Lilac Time)\, and psych-folk duo Rowan : Morrison with The Rowan Amber Mill. \n\nThe Sorrow Songs: Folk Songs of Black British Experience (released October 2022\, Topic Records) is a work of re-storying. The historic Black presence in the UK dates back to at least Roman times\, yet is often hidden\, forgotten or unacknowledged. The populations of enslaved African people and their descendants in the USA have their bodies of folk song\, which are vitally important for containing histories\, expressing feelings\, giving voice and claiming presence… but the Black ancestors of the UK have no equivalent body of song. The Sorrow Songs begins to address this. It is a gift to the forgotten Black ancestors of these islands\, and to the folk community here today. The album uses history and imagination to tell stories of UK Black ancestors in the sonic style of UK traditional and folk music.
URL:https://thepeerhat.co.uk/event/angeline-morrison/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/01/ADMbeach1.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230426T193000
DTEND;TZID=UTC:20230426T233000
DTSTAMP:20230410T115950Z
CREATED:20230308T154841Z
LAST-MODIFIED:20230410T115950Z
UID:5909-1682537400-1682551800@thepeerhat.co.uk
SUMMARY:THE BLACK ENDS//CHEM TRAILS//THE MANIFESTATION GROUP
DESCRIPTION:THE BLACK ENDS describe themselves in two words ‘gunk’ and ‘pop’. Meanwhile\, the press in their native Seattle (and further afield\, have this to say):\n\nSludgy and magical.\nAudiofemme: Black Ends Bring Ground-Breaking “Gunk Pop” to Substation This Saturday\n“I feel like there should be more Black bands getting booked in general\,” she says. “I feel like there shouldn’t be all-white boy bands anymore\, like the shows that are all white boy bands. That’s just over.”\nThe band’s 30 minutes of distorted “gunk pop” elicited raucous applause after every song. The floor creaked as the crowd hopped\, bobbed and danced…\n…it makes me so happy to be living in a world where music like this exists.\nSwims’ unique talent and ultra-creative style of guitar playing is on fierce display on last year’s Stay Evil […] EP that manages to be both super listenable and super weird at the same time.\n…Black Ends produces a biting sound not often heard in today’s scene.\n…it’s supposed to be about finally accepting that fate- to release the thanatophobia we all feel at some point and just accepting that life ends and it’s okay.\nSwims’ vocal flexibility […] rides atop the band’s thrusty dynamic gutter sprawl.\n…Nicolle Swims\, an artist with both a unique viewpoint and the ability to successfully express that uniqueness.\nBeing black in America feels like a death sentence but I refuse to stop fighting.\n…front person and principal songwriter\, Nicolle Swims\, has a voice like imagination incarnate.\nThis shit is hard\, dude.\n\nSo that sounds like it’s worth doing\, wouldn’t you say?\n\nCHEM TRAILS The garage-punk and acid-corroded new-wave outfit that is Chemtrails first emerged as a 5-piece in 2016\, having started life as the lo-fi bedroom recording project of romantic partners Mia Lust and Laura Orlova. They were quickly snapped up and signed by Swedish label PNKSLM Recordings\, having only played one gig — at Trans Pride Brighton. Since then\, the prolific band has built up a die-hard following and churned out four critically-acclaimed DIY records in two years. Their three 6-song EPs and debut full-length album\, all of which were recorded in their living room\, have garnered praise from the likes of KEXP\, Stereogum\, DIY Mag and The Line of Best Fit\, with the LP “Calf of the Sacred Cow” appearing in the top 25 of the “best albums of the year” lists of Swedish music magazines Gaffa and Hymn in 2018.\nThe band cites their biggest influences as the Pixies\, Blondie\, Oh Sees\, Black Lips and sixties psych and garage punk\, but holding everything together is Mia Lust’s ear for melody and no shortage of hooks. Served on a bed of fuzzy guitars and polychromatic pop\, the lyrics center around alienation\, love\, the human condition\, the impending apocalypse and\, occasionally\, on Lust’s place in the world as a transgender woman.\n2019 saw Chemtrails play a live session for KEXP as part of their International Clash Day celebration in London\, after which the band focussed on recording album number two. “The Peculiar Smell of the Inevitable”\, to be released in May 2020 on PNKSLM Recordings\, will be the band’s heaviest and wildest record yet\, with their trademark big melodies and harmonies performed over a frenzied wall of raw guitar noise and glistening synths.\nAfter their bandmates went their separate ways to pursue other projects Lust and Orlova relocated to Manchester from London in late 2019. They’ve now recruited a whole new lineup\, bringing a fresh burst of excitement and ideas to the band.\n\nTHE MANIFESTATION GROUP are a new music based spiritual science project\, revolving around the exhumation of various thought forms and ‘ghosts’ in the form of resonance and music. A thorough exploration of the power of ritualisation and relational beautification\, within the context of the contemporary song book. They invite you to join them as openers for the evening.
URL:https://thepeerhat.co.uk/event/the-black-ends-chem-trails-the-manifestation-group/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/03/Black-Ends-00001-scaled.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230419T193000
DTEND;TZID=UTC:20230419T233000
DTSTAMP:20230308T152325Z
CREATED:20230308T152325Z
LAST-MODIFIED:20230308T152325Z
UID:5903-1681932600-1681947000@thepeerhat.co.uk
SUMMARY:YAWN//GAIN//HORSEMEAT
DESCRIPTION:At the crossroads between beautiful improvised soundscapes and brutal down-tuned guitar riffs\, YAWN has established a unique musical expression that is unmistakably ear-catching for listeners drawn to experimental and progressive music. Their high-energy performances feature virtuosic sound design\, machine-like rhythmic precision\, and a larger-than-life light show\, all synchronized by custom-made software.\nYAWN’s debut album “Materialism\,” which seamlessly blends influences from metal\, jazz\, and contemporary electroacoustic music\, was released in February 2022 to an outpouring of positive reviews from all over the world:\n“In short\, this is one of the greatest albums I have ever heard” — Ever-metal.com: 10/10\n“Materialism kept me on my toes from start to finish” — The Progspace: 9/10\n“A massive\, synth-laced Matrix-meets-Meshuggah ultra-hell” —The Obelisk\n“For Improv-fans of the extreme type” — Jazz’halo\n\nGAIN Straddle the border between Doom and fuzzed out psychedelia…which is no surprise\, based as they are close to the the Peak District National Park.\nSounting members of Burial\, Wolfbastard\, Delta Mono and Gore Tech amongst their line-up\, their debut at The Peer HAt\, promises to be gnarly.\n\nConceived under the apocalyptic glow of 2018’s dying winter sunlight\, HORSEMEAT is the product of three men’s love of 80’s metal and 90s grunge in a safe and supportive environment. Whilst you could say Horsemeat is music for carnivores\, it can be equally enjoyed by listeners of all dietary persuasions. Tuck in….and let the mastications begin.
URL:https://thepeerhat.co.uk/event/yawn-gain-horsemeat/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/png:https://thepeerhat.co.uk/wp-content/uploads/2023/03/yyyyy.png
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
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BEGIN:VEVENT
DTSTART;TZID=UTC:20230415T200000
DTEND;TZID=UTC:20230415T233000
DTSTAMP:20230119T125320Z
CREATED:20230119T125320Z
LAST-MODIFIED:20230119T125320Z
UID:5530-1681588800-1681601400@thepeerhat.co.uk
SUMMARY:Æ Presents Corvus & The Morning Star\, Springfield Elementary\, Bedroom Vacation & Scott Hepple
DESCRIPTION:CORVUS & THE MORNING STAR\nA psych/blues rock project from Manchester. With influences such as The Brian Jonestown Massacre\, Jesus and Mary Chain & Spacemen 3. Tonight they lunch their debut EP.\nhttps://www.facebook.com/corvusandthemorningstar\nSPRINGFIELD ELEMENTARY\nPsychedelic punky four piece Springfield Elementary were born out of blind optimism that they can salvage some credibility for themselves one broken guitar string at a time. Their music is said to cure severe headaches\, back pain and broken hearts.\nhttps://www.facebook.com/SpringfieldElementaryMCR\nBEDROOM VACATION\nSCOTT HEPPLE\n\nTickets available at www.seetickets.com
URL:https://thepeerhat.co.uk/event/ae-presents-corvus-the-morning-star-springfield-elementary-bedroom-vacation-scott-hepple/
LOCATION:The Peer Hat\, 14-16 Faraday Street\, Manchester\, M1 1BE\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/01/322546314_3067694520197969_1284300650824277607_n.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20230412T193000
DTEND;TZID=UTC:20230412T233000
DTSTAMP:20230217T151326Z
CREATED:20230217T142719Z
LAST-MODIFIED:20230217T151326Z
UID:5773-1681327800-1681342200@thepeerhat.co.uk
SUMMARY:Tupenny Bunters w. Indian Pale Male
DESCRIPTION:Dave and Fi Dulake became TUPPENNY BUNTERS in 2012\, the same year they got married. Fi had been the Hammond player in Dave’s previous band\, The Virgo Intacta\, who were on The White Stripes “Satan” tour as 1st support. Parallel to running a notorious Southend music pub\, The Railway Hotel\, the duo\, after naming themselves after Regency prostitutes\, set about capturing the sound they perceived\, a piano dripping garage/pop wall of melodies and chord shifts. Their first album was recorded live to a Studer in the cellar of the pub. They released it on their own label\, Dansettual. Called “A Tuppenny Upright”\, the results\, while sketchy\, present them well. At times\, the piano (a Bluthner upright) threatens to cuddle you to death\, at others it appears to be absently flipping you off\, and the drums are tuned high\, dirty and loonar. If they were cleverer\, or could be bothered\, they’d be prog. Cooler\, or if they both dressed like Fi\, they’d be psyche\, and if they didn’t constantly feel the need to burst into song\, for their sheer sonic nerve they’d be garage.\nThe Bunters songwriting is all the way down the cracks between Pete Ham\, Syd Barrett and Lionel Bart\, but their live performance sits precariously on a web spun by X Ray Spex\, The White Stripes\, Wings and\, well\, Sparks\, I guess – in that\, you’re never quite sure who to watch. She smashes shit out of the kit with her hair going everywhere\, while he\, 20 years older and desperate to keep up\, pounds the Fender Rhodes and screams his fucking head off\, trying always for a snarling Steve Marriott but coming off more like an enraged Dean Friedman. Then they swap\, and now you’re totally on the back foot\, cos now he’s laying into the kit\, and she’s up…her intense brown eyes staring you down; melodies from an age way before her time and a piercing\, shrieking voice that only ever seems at home above top C. Fingernails scraping down a Marmite smeared blackboard. You won’t go to the bar though\, cos then there are the songs\, which\, possibly against your better judgement\, will tick one of your boxes. They’ll take you on an uncomfortable switchback ride through pop music’s wheat and chaff\, and just when you think you’ve dissed it or nailed it\, when you think “I can hear a bit of 10CC and The Damned in there…” then Billy Childish pops in with Julie Andrews and you still won’t know whether they’re tossers or visionarys. A review for Dave’s “Butterfingers” album in The Face back in 2003 called it “annoying and refreshing in equal parts”\n\nINDIAN PALE MALE is former Frazer King genius\, Nathan McIlroy’s latest project. Following a period of self imposed exile\, Nathan has returned–and Manchester is better for it. Now armed with a single piano\, IPM is a unique\, funny\, sometimes tortured\, sometimes jazzy excursion which\, if McIlroy chooses\, will only go on to garner further acclaim. Check it out.
URL:https://thepeerhat.co.uk/event/tupenny-bunters-w-indian-pale-male/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/02/tup.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
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BEGIN:VEVENT
DTSTART;TZID=UTC:20230330T170000
DTEND;TZID=UTC:20230330T233000
DTSTAMP:20230321T155218Z
CREATED:20230321T155218Z
LAST-MODIFIED:20230321T155218Z
UID:5979-1680195600-1680219000@thepeerhat.co.uk
SUMMARY:The Guest List feat. The Social Club\, Fauna & Jack Cattell
DESCRIPTION:The Guest List are a young 5-piece band from Manchester who broke onto the indie rock scene last summer with their self-titled EP. Played live\, these songs come to life\, in addition to the new unreleased songs on their setlist. They’re made up of Cai Alty (vocals)\, Leio Hunter (guitar)\, Tom Quigley (guitar)\, Angus Gilchrist (drums) and Tom Coates (bass).\nSocial media:\nInstagram: https://instagram.com/theguestlist.band?igshid=YmMyMTA2M2Y=\nTiktok: https://www.tiktok.com/@theguestlist?_t=8a2ZqmFhCFR&_r=1\nYouTube: https://youtube.com/@theguestlist2699\nLink to EP: https://open.spotify.com/album/0LOoHwbKcIevXHgVC9J6na?si=E3oI_jGeS42uPMzcrlb72g \n\nThe Social Club formed in late 2022 and are already “one of the most talked about new bands in the Manchester indie-rock scene”. Despite only forming late into 2022\, the 4 piece indie rock outfit have already made their stamp on the Manchester Music Scene\, selling out their first headline gig at Lions Den only 4 months after their formation.Instagram- @thesocialclubbanduk\nlinktree- https://linktr.ee/thesocialclubband?fbclid=PAAabCHkhsgjdnUSrdDyefhbp88_VxRchuBrX3oviU3ub4y4rqpaoPxVVJnuc\n \n\nFauna is comprised of brothers Danny (Vocals and Guitar) and Adam (Guitar)\, Tom (Drums) and Charlie (Bass). Striving to keep creativity at the forefront\, Fauna are a band that like to keep things interesting and reward those who follow. The band are continuing to gain momentum after a string of live shows in 2023\, including a slot at Liverpool Sound City festival. Combining summery pop moments\, old school rock and roll percussion and soaring choruses\, Fauna’s unique sound has gained them attention from industry giants Radio X\, BBC introducing and This Feeling. Fauna’s on-stage energy is infectious\, this is a band that need to be heard live and loud.Links:\nhttps://www.instagram.com/fauna_music/\nhttps://open.spotify.com/artist/0E5xZUkLT2NcpyCW7LoEWr?si=VZwiq3MmT9KU7YQOsnkU-w \n\nJack Cattell\, a dynamic and uncompromising artist hailing from Walsall in the West Midlands\, has spent years honing his craft and writing skills to kick start his musical career as a highly respected artist. His songs breathe new life into the teenage-angst category and concerns of the youth\, offering a refreshing new take on love and sadness in the modern age through candid and insightful lyricism.Links:\nhttps://linktr.ee/JackCattellMusic?fbclid=PAAaa-LXG-00T_lrIOtDPmeFsPVq5qayHBYvJGSBXDcChjv9qGLkXKT3shuMo\nhttps://open.spotify.com/track/6bMaBDDlpiQ2T70mw0r09E \n  \nhttps://www.ticketsource.co.uk/tfsp-project-touring/the-guest-list-feat-the-social-club-fauna-jack-cattell/e-zakmpe
URL:https://thepeerhat.co.uk/event/the-guest-list-feat-the-social-club-fauna-jack-cattell/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/03/Photo-from-Nick.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20230322T193000
DTEND;TZID=UTC:20230322T233000
DTSTAMP:20230216T144240Z
CREATED:20230216T144240Z
LAST-MODIFIED:20230216T144240Z
UID:5769-1679513400-1679527800@thepeerhat.co.uk
SUMMARY:Indifferent MonKeY & Guests
DESCRIPTION:SKYMOUTH has decided to throw down a bunch of press quotes for INDIFFERENT MONKEY! Is this lazy? SKYMOUTH says not! A night of delight beckons!\n“ Track Review  Take Faith – IndifferentMonKeY (@indifferentmonkey ) Another great band that I have found late \, Indifferent Monkey is Alt-Rock Band that are already winning plaudits for their work. Having been voted Best Band 2022 by @radio_wigwam \, 2023 should be a big year for them. So they kick it off with this beauty of a track. The track has a toe-tapping hypnotic beat that really blends well with the sultry passionate vocals\,The song is dark with a mysterious undertone that really suits the beautiful tempo and body of the track. When I heard it\, I had visions of this black and white setting with the singer in a red dress; the only colour coming through\, while serenading a room full of mobsters and gents in suits. A really Beautiful track!!”\nHeart Shaped Box – Heart Shaped Box\n“Well now\, with a song title like that you have my attention! Based in Morcambe\, Lancashire\, Indifferentmonkey started releasing music in September 2021 and say they are heavily influenced by: TripHop\, Heavy Rock\, Funk\, Jazz\, Electronic and Pop. I can hear a strong Jungle influence in this track too\, which makes me more than happy. Bullish\, dirty beats are exactly what I order for most Monday mornings and Filthy Dirty delivers. I was taken with this one on my first listen too\, gloriously frantic\, much like my life most days. Keep em coming please… Indifferentmonkey are: Pippa (vocals)\, Joe Lowe (Instruments\, writer\, producer) Jack Willan (drums\, percussion\, bass and guitar) and Brendan Syson (guitar) and they have gained support from BBC Introducing and KCRW in LA.”\nLouise Toal – Fresh on the Net\n“That was the Brilliant Indifferentmonkey with Space Race”\nWilliam Wolstenholme – BBC Introducing Lancs\n“FEATURES indifferentMonKeY – Human Diamond”\nStarryMag – Starry Constellation Mag\n“indifferentMonKeY have today released their new single titled ‘Space Race’. indifferentMonKeY is a project that has long found it’s sound and everything they release at this point in their careers is a continuous and solid evolution of that sound. Does anything else really need to be said about indifferentMonKeY\, at this point? This is one of those bands that you run into when you are looking for something fresh. Something new. Something different\, or\, indifferent. Go down the rabbit hole with indifferentMonKeY. You won’t want to leave.”\nBy RYAN MARTIN – Jammerzine\n“Love That” “Its great that” Quotes by Sean Mcginty and Rich Dyer (Founder of Highest Point Festival in Lancaster) after plaing our single “Cokehead”.\nSean Mcginty – BBC introducing\n“That was indifferentmonkey and Naked White Noise” (at around 17 minutes on the BBC Sounds Player).\nSean Mcginty – BBC Introducing\n“BBC introducing at around 21:09”\nSean Mcginty – BBC Introducing\n“That fluid trip hop that indifferentMonKeY is amped and stamped with approval and\, in a few ways\, veers from the road that indifferentMonKeY has been traveling the last couple years. There is more of a dark groove here. And\, if you’ve seen the new Bond film\, then you know that there are a lot of changes. And these changes in this music fit that schema. The lends me to the belief that indifferentMonKeY is in a transition. Sitting in that cocoon waiting to hatch as a different entity\, same in name only. Could this be true? Pippa really brings a different vibe to the music. And it is good. Lets hope we don’t have to wait five years like we would for a Bond film to find out.”\nRYAN MARTIN – Jammerzine\n“Q) Talk about the story behind your new song “God or Machine?.””\nJamie Steinberg – Starry Mag – Starry Constellations Magazine\n“IndifferentMonkey playlisted on the iconic LA Station KCRW https://www.kcrw.com/”\nAaron Byrd – KCRW\n“indifferentMonKeY has released the video for the track titled ‘God or Machine?’. A few weeks ago we reviewed the single from indifferentMonKeY and now the video\, in my opinion\, encapsulates the darkly sensual and introvertedly rhythmic sense of self within the song. Belle’s voice is angelic with a touch of sin and her walk on the beach gives that longing for what once was in this world. Doing that with style is an originality just out of reach from most but firmly in the grasp of indifferentMonKeY. Future funk with a touch of the new reality.”
URL:https://thepeerhat.co.uk/event/indifferent-monkey-guests/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/jpeg:https://thepeerhat.co.uk/wp-content/uploads/2023/02/312841370_563125035813849_3207807668461775769_n.jpg
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230308T193000
DTEND;TZID=UTC:20230308T233000
DTSTAMP:20221121T161249Z
CREATED:20221121T161249Z
LAST-MODIFIED:20221121T161249Z
UID:5180-1678303800-1678318200@thepeerhat.co.uk
SUMMARY:ST. JIMI SEBASTIAN CRICKET CLUB//THE TRANSCENDENTAL EQUATION
DESCRIPTION:ST. JIMI SEBASTIAN CRICKET CLUB is a Swedish project led by Jimi Sebastian some folk have described their music as an exciting mix ofbands like The Jam\, The Clash\, Arcade Fire and Pink Floyd This promises to be an interesting night\, as the Swedish underground continues to produce oddball gems like this band. SKYMOUTH SAYS: “It’s cricket\, but not Jiminy Cricket! That’s Jimi Cricket to you”\nTHE TRANSCENDENTAL EQUATION are an instrumental three piece (lead by ILL vocalist and bass player\, Whitney Bluzma) weaving sonic psychedelia in the vein of the Animated Egg\, with powerful tarot driven improvisational moments. A band guaranteed to constantly surprise and entice. Firm favourites here at The Peer Hat.\nSKYMOUTH SAYS “What do you say to an equation that’s asking which star you’re going to be tonight? ANSWER: Tonight Maths-ew I’m going to be Batman”
URL:https://thepeerhat.co.uk/event/st-jimi-sebastian-cricket-club-the-transcendental-equation/
LOCATION:The Peer Hat\, Faraday Street
ATTACH;FMTTYPE=image/png:https://thepeerhat.co.uk/wp-content/uploads/2022/11/640px-St.Jimisebastiancricketclub.png
ORGANIZER;CN="The Peer Hat":MAILTO:nick@thepeerhat.com
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